boris godunov met opera 2010 review

Boris Godunov review – Bryn Terfel is superb as tsar in torment. Michael Mayer’s colorful and busy production of, Defying Covid-19 in Switzerland: LuganoMusica's Etienne Reymond, At the helm of the world's most expensive opera house: Met General Manager Peter Gelb, Visual storytelling: Ken Howard on performance photography, An Enduring Voice: The Sixteen's 40th anniversary choral pilgrimage reaches Durham, Royal Northern Sinfonia’s central European romance, Royal Northern Sinfonia struggles to find its Russian soul, Jane Shuttleworth is a choral singer and recorder player, and specialises in Renaissance, baroque and modern music. The Metropolitan Opera will premiere a new production of Mussorgsky’s Boris Godunov on October 11, starring René Pape as Boris and conducted by Valery Gergiev. It was armed with his reading of Shakespeare that he matched his skills to the dazzling reign of the Tzar of Russia (1598-1605). In 1824, when Pushkin turned to Boris Godunov for his first historical drama, he knew only too well what a colossus he was tackling. Listening to mostly male voices (and basses at that) delivering recitatives and monologues in Russian for four and a half hours can be enough to, well, foment a revolution. Yet the production dragged over its roughly four and a half hours, with few overwhelming performances and a production that was stark and bland despite some theatrically effective staging. She looked witchy in a black corseted gown with a full skirt while everyone around her wore feathery white costumes — a too-obvious strain in Moidele Bickel’s otherwise attractive period costumes. Following its season-opening offering, a redesigned production of the first installment of Wagner’s “Ring” cycle, the Met brings out a new take on Modest Mussorgsky’s “Boris Godunov.”. The story of Boris Godunov covers a pivotal corner of Russian history, as the country disintegrated into anarchy after the death of Tsar Ivan the Terrible.Stephen Wadsworth’s 2010 production of Mussorgsky’s opera deftly mixes the sense of grand historical scale with a focus on the very human characters at the heart of the drama, particularly Boris himself. Director Stephen Wadsworth helmed the new production, stepping in last summer when Peter Stein left because of visa-related difficulties. Note to readers: if you purchase something through one of our affiliate links we may earn a commission. Read Full Synopsis The sets by Ferdinand Wögerbauer were largely nondescript — a gray background, scattered black columns, a throne center stage. https://bachtrack.com/review-dec-2013-met-od-boris-godunov-2010, https://bachtrack.com/22/270/list-published/2331, https://bachtrack.com/files/40598-jane-bachtrack.jpg, Aleksandra Kurzak impresses as the Met’s new Violetta, To add a comment, please sign in or register. Just Instrumental Music Recommended for you When: Oct. 15, 18, 25 at 7 p.m.; Oct. 23, 30 at 12 p.m. Additional performances in March. The Metropolitan Opera’s new production of Mussorgsky’s Boris Godunov was telecast around the world Saturday October 23. an opera by Modest Mussorgsky, directed by Stephen Wadsworth. His soul is deeply troubled. Twitter Share. Learn more. Essential. Stephen Wadsworth’s production of Mussorgsky’s epic masterpiece brilliantly captures the suffering and ambition of the Russian people at a critical time in their nation’s history. Modest Mussorgsky (music and libretto), Boris Godunov Metropolitan Opera House: 10/18/2010. Royal Opera House, London Terfel makes the title role of Mussorgsky’s flawed masterpiece his … Andrey Popov creates a pitiful figure, stumbling amongst the bodies, a picture of pathetic derangement in the midst of terrible chaos, and as darkness falls his emotional performance of this sublimely beautiful aria, backed by Gergiev’s exquisite handling of the orchestra, is poignant and haunting, as the unstoppable river of Russia’s tragic history rolls ever onwards. Subscribe today for news you need now. Buy Movies. Stephen Wadsworth’s 2010 production of Mussorgsky’s opera deftly mixes the sense of grand historical scale with a focus on the very human characters at the heart of the drama, particularly Boris himself. This aria then returns to close the opera after a truly shocking picture of violence as the peasants rise up in revolt. There are strong performances all round from a mostly Russian cast. Upon hearing of the murder, the monk Grigory reinvents himself as Dimitry and gains a following. Jennifer Zeltan and Jonathan Makepeace give moving performances as Boris’ children, particularly in his death scene, although Makepeace’s treble voice is pushed to its limits. The Met’s hit podcast collaboration with WQXR returns March 10 with an episode on “Nessun dorma,” featuring Yannick Nézet-Séguin. As the anxiety that plagues Godunov throughout the opera turned to madness, Pape gave a wrenching performance, his desperation and torment palpable. The story of Boris Godunov covers a pivotal corner of Russian history, as the country disintegrated into anarchy after the death of Tsar Ivan the Terrible.Stephen Wadsworth’s 2010 production of Mussorgsky’s opera deftly mixes the sense of grand historical scale with a focus on the very human characters at the heart of the drama, particularly Boris himself. What an epic. Rack up 500 points and you'll score a $5 reward for more movies. I had no idea what was happening at any given moment, but the music was so beautiful, I didn’t care. Enjoy a free 7-day trial! Boris Godunov review, Royal Opera House: A magnificent and quintessentially Russian rendering . 20 October 2010 . I saw Boris Godunov at the Met today. Boris Godunov at the Met October 12, 2010 This season, the Metropolitan Opera is presenting two operas that weave personal emotional drama into the sweep of great historical events: Boris Godunov and Don Carlo. Immediate. © 2010-2021 Bachtrack Ltd. All rights reserved. Recent reviews More. at the Metropolitan Opera, New York City, October 11, 2010–March 17, 2011. Join FandangoVIP. Mezzo Ekaterina Semenchuk is a devilish Marina, and the chemistry between Semenchuk and Aleksandrs Antonenko, who plays her partner-in-crime, pretender to the throne Grigory Otrepiev, is sizzling. All rights reserved (About Us). The details in the chorus scenes provide the needed background for the sections that focus on the Tsar's family and his court. = tiefe Trompete in F, Tromba alta), 3 Posaunen, Basstuba, Pauken, Schlagzeug, Glocken, Harfe, Klavier, Streicher Bühnenmusik: Trompete, Glocken, Tamtam 3 Flöten (3 auch Kleine Flöte), 2 Oboen, Englisch Horn, 3 Klarinetten (3. auch Es-Klarinette), Bassklarinette, 3 Fagotte (3. auch … Boris Godunov, Metropolitan Opera, New York. Pape, who has performed the title role to great acclaim in his native Germany, will make his American role debut under the baton of Gergiev, widely recognized as the world’s leading conductor of Russian opera. In addition to reviews of current productions from around the world there are over 50,000 reviews in our archive. One of the stronger of the many supporting characters, bass Vladimir Ognovenk gave a throaty, lively take on the wayward monk Varlaam. This production has a complicated history. Ken Howard/Metropolitan Opera . She lives in Durham and runs a local music listings, news and reviews site. The Boris Godunov conducted at the Met by Valery Gergiev and directed by Stephen Wadsworth is musically and dramatically satisfying. Very good stage directing with the chorus moving harmoniously in and out and adding lots of local color. François Girard’s production presents the moody, stormy atmosphere of Norwegian seascapes with stunning visuals, but offers few fresh ideas on the doomed love between the Dutchman and Senta. Read our review of Stephen Wadsworth's production of Mussorgsky's Boris Godunov in its 2010 broadcast from the Met Opera in New York. Wadsworth’s staging was most compelling in scenes involving Godunov and his children. The story of Boris Godunov covers a pivotal corner of Russian history, as the country disintegrated into anarchy after the death of Tsar Ivan the Terrible. Bryn Terfel as the tormented Tsar Boris in Richard Jones's production of Musorgsky's magnificent opera. Facebook Share. The Metropolitan Opera continues to show off the epic side of opera. The opera exists in multiple versions; the Met’s production is based on the final version, first performed in 1874, along with additions and substitutions from the original 1869 version. The reintroduction of the peasant scene mentioned above is particularly useful in that it gives deeper understanding of the role of the Holy Fool, who alone can speak the truth to Boris and makes his appearance at the end of the opera all the more powerful. Between Pushkin's Boris Godunov in 1825 and the first version of Musorgsky's opera (1869) there is gap of almost half a century. Synopsis. Community Rules apply to all content you upload or otherwise submit to this site. The Metropolitan Opera, New York . Mussorgsky: Boris Godunov. Mussorgsky based his opera on the blank-verse play by Alexander Pushkin, who in turn looked to Shakespeare’s historical dramas for inspirations, and in this production, René Pape’s intense portrayal of Boris’ doubts and torment stands on a par with the great Shakespearean performances. info)) is an opera by Modest Mussorgsky (1839–1881). By the time he took over, he had Stein’s concept to work with and make his own. Excellent production. Earn 125 points on every ticket you buy. As he vocally and physically embodied the role, it could be said that he stole the show — but it was his for the taking. From the beginning, his reign is tainted; Godunov comes to power after allegedly ordering the murder of the young Tsarevich Dimitry and taking his place. Aug 2010 Location USA Posts 6,427 Post Thanks / Like Likes (Given) 281 Likes (Received) 1287 Blog Entries 10. 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